The first great adventure story in the Western canon, The Odyssey is a poem about violence and the aftermath of war; about wealth, poverty and power; about marriage, family and identity; and about travellers, hospitality and the changing meanings of home in a strange world. This vivid new translation-the first by a woman-matches the number of lines in the Greek original, striding at Homer's sprightly pace. Emily Wilson employs elemental, resonant language and an iambic pentameter to produce a translation with an enchanting "rhythm and rumble" that avoids proclaiming its own grandeur. An engrossing tale told in a compelling new voice that allows contemporary readers to luxuriate in Homer's descriptions and similes and to thrill at the tension and excitement of its hero's adventures, Wilson recaptures what is "epic" about this wellspring of world literature. Specially bound paperback edition, with deckle-edging (rough-cut) pages and French flaps.

When Emily Wilson's translation of The Odyssey appeared in 2017—revealing the ancient poem in a contemporary idiom that "combines intellectual authority with addictive readability" (Edith Hall, The Sunday Telegraph)—critics lauded it as "a revelation" (Susan Chira, The New York Times) and "a cultural landmark" (Charlotte Higgins, The Guardian) that would forever change how Homer is read in English. Now Wilson has returned with an equally revelatory translation of the first great Homeric epic: The Iliad. In Wilson's hands, this exciting and often horrifying work now gallops at a pace befitting its battle scenes, roaring with the clamour of arms, the bellowing boasts of victors and the anguished cries of dying men. Wilson's unadorned but resonant language plumbs the poem's profound pathos and reveals its characters as palpably real, even "complicated", human beings. Capping a decade of intense engagement with Homer's poetry, Wilson's Iliad now gives us a complete Homer for our generation.

Stories are sly things…they can be hard to catch and kill. Inanna is an impossibility. The first full Anunnaki born on Earth in Ancient Mesopotamia. Crowned the goddess of love by the twelve immortal Anunnaki who are worshipped across Sumer, she is destined for greatness. But Inanna is born into a time of war. The Anunnaki have split into warring factions, threatening to tear the world apart. Forced into a marriage to negotiate a peace, she soon realises she has been placed in terrible danger. Gilgamesh, a mortal human son of the Anunnaki, and notorious womaniser, finds himself captured and imprisoned. His captor, King Akka, seeks to distance himself and his people from the gods. Arrogant and selfish, Gilgamesh is given one final chance to prove himself. Ninshubar, a powerful warrior woman, is cast out of her tribe after an act of kindness. Hunted by her own people, she escapes across the country, searching for acceptance and a new place in the world. As their journeys push them closer together, and their fates intertwine, they come to realise that together, they may have the power to change to face of the world forever. The first novel in the stunning Sumerians Trilogy, this is a gorgeous, epic retelling of one of the oldest surviving works of literature. BONUS FEATURE An exclusive preview of Book Two of The Sumerians trilogy, book club discussion questions and more!

In this volume, tragedy in antiquity is examined synoptically, from its misty origins in archaic Greece, through its central position in the civic life of ancient Athens and its performances across the Greek-speaking world, to its new and very different instantiations in Republican and Imperial Roman contexts. Lively, original essays by eminent scholars trace the shifting dramatic forms, performance environments, and social meanings of tragedy as it was repeatedly reinvented. Tragedy was consistently seen as the most serious of all dramatic genres; these essays trace a sequence of different visions of what the most serious kind of dramatic story might be, and the most appropriate ways of telling those stories on stage. Each chapter takes a different theme as its focus: forms and media; sites of performance and circulation; communities of production and consumption; philosophy and social theory; religion, ritual, and myth; politics of city and nation; society and family, and gender and sexuality.

Winner of the 2004 Harold Morton Landon Translation Award from the Academy of American Poets, Charles Martin's blank-verse translation of the Metamorphoses is a "smoothly readable, accurate, charming, subtle yet clear" (Richard Wilbur) version that "highlights [the poem's] lightness and pervasive sense of universal mutability" (Michael Dirda).

This Norton Critical Edition includes: Emily Wilson's authoritative translation of Homer's masterpiece, accompanied by her informative introduction, explanatory footnotes and book-by-book summaries. Four maps, created especially for this translation. Contextual materials including sources and analogues by Homer, Sappho, Pindar and others. Also included are carefully chosen passages from (mainly) ancient texts that provide insight into The Odyssey and its reception by Plato, Aristotle, Ovid, Pseudo-Longinus, Lucian, Apollodorus, Heraclitus, Porphyry, Proclus, Hyginus, Dante Alighieri, Alfred Lord Tennyson, C. P. Cavafy, Derek Walcott and Margaret Atwood. Nine critical essays addressing key topics-composition; representation of religion and the gods; class and slavery; gender; colonisation and the meaning of home; trickery, intelligence and lying; and more- essential to the study of The Odyssey. Essays by Robert Fowler, Laurel Fulkerson, Barbara Graziosi, Laura M. Slatkin, Sheila Murnaghan, Patrice Rankine, Helene P. Foley, Egbert J. Bakker and Lillian Eileen Doherty are included. A glossary and a list of suggested further readings. About the Series Read by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format-annotated text, contexts and criticism-helps students to better understand, analyse and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.

The first book published detailing the contributions of a premier female pioneer in science and anthropology Details the many revolutionary scientific advances and techniques developed by Trotter Provides context and background regarding a major, and now well-known, error in one specific measurement in her renowned stature estimation research Examines key overlooked historical aspects in scientific history including scientific error, experiences of sexism, women in science, and other marginalized groups

The first book published detailing the contributions of a premier female pioneer in science and anthropology Details the many revolutionary scientific advances and techniques developed by Trotter Provides context and background regarding a major, and now well-known, error in one specific measurement in her renowned stature estimation research Examines key overlooked historical aspects in scientific history including scientific error, experiences of sexism, women in science, and other marginalized groups

The first great adventure story in the Western canon, The Odyssey is a poem about violence and the aftermath of war; about wealth, poverty and power; about marriage, family and identity; and about travellers, hospitality and the changing meanings of home in a strange world. This vivid new translation matches the number of lines in the Greek original, striding at Homer's sprightly pace. Emily Wilson employs elemental, resonant language and an iambic pentameter to produce a translation with an enchanting "rhythm and rumble" that avoids proclaiming its own grandeur. An engrossing tale told in a compelling new voice that allows contemporary readers to luxuriate in Homer's descriptions and similes and to thrill at the tension and excitement of its hero's adventures, Wilson recaptures what is "epic" about this wellspring of world literature.

The first great adventure story in the Western canon, The Odyssey is a poem about violence and the aftermath of war; about wealth, poverty and power; about marriage, family and identity; and about travellers, hospitality and the changing meanings of home in a strange world. This vivid new translation-the first by a woman-matches the number of lines in the Greek original, striding at Homer's sprightly pace. Emily Wilson employs elemental, resonant language and an iambic pentameter to produce a translation with an enchanting "rhythm and rumble" that avoids proclaiming its own grandeur. An engrossing tale told in a compelling new voice that allows contemporary readers to luxuriate in Homer's descriptions and similes and to thrill at the tension and excitement of its hero's adventures, Wilson recaptures what is "epic" about this wellspring of world literature. This book has deckle-edged (rough-cut) pages.

In this volume, tragedy in antiquity is examined synoptically, from its misty origins in archaic Greece, through its central position in the civic life of ancient Athens and its performances across the Greek-speaking world, to its new and very different instantiations in Republican and Imperial Roman contexts. Lively, original essays by eminent scholars trace the shifting dramatic forms, performance environments, and social meanings of tragedy as it was repeatedly reinvented. Tragedy was consistently seen as the most serious of all dramatic genres; these essays trace a sequence of different visions of what the most serious kind of dramatic story might be, and the most appropriate ways of telling those stories on stage. Each chapter takes a different theme as its focus: forms and media; sites of performance and circulation; communities of production and consumption; philosophy and social theory; religion, ritual, and myth; politics of city and nation; society and family, and gender and sexuality.

"Oedipus Tyrannos is the first Greek play many readers encounter, and this version is their ideal gateway. Emily Wilson's verse line is effortlessly graceful, whether in taut, tense dialogue exchanges or in the lyrical choral odes." -JAMES ROMM, Bard College

Philosopher, dramatist, rhetorician, Stoic and pragmatist, Seneca was one of the most contradictory figures in ancient Rome, embracing a stern ascetic morality while amassing a fortune under Nero and eventually committing suicide. This definitive biography reveals a life lived perilously in the gap between ideals and reality.

There were heroic lives and deaths before and after, but none quite like Socrates'. He did not die by sword or spear, braving all to defend home and country, but as a condemned criminal, swallowing a painless dose of poison. And yet Socrates' death in 399 BCE has figured large in our world ever since, shaping how we think about heroism and celebrity, religion and family life, state control and individual freedom, the distance of intellectual life from daily activity--many of the key coordinates of Western culture. In this book Emily Wilson analyzes the enormous and enduring power the trial and death of Socrates has exerted over the Western imagination.

Beginning with the accounts of contemporaries like Aristophanes, Xenophon, and, above all, Plato, the book offers a comprehensive look at the death of Socrates as both a historical event and a controversial cultural ideal. Wilson shows how Socrates' death--more than his character, actions, or philosophical beliefs--has played an essential role in his story. She considers literary, philosophical, and artistic works--by Cicero, Erasmus, Milton, Voltaire, Hegel, and Brecht, among others--that used the death of Socrates to discuss power, politics, religion, the life of the mind, and the good life. As highly readable as it is deeply learned, her book combines vivid descriptions, critical insights, and breadth of research to explore how Socrates' death--especially his seeming ability to control it--has mattered so much, for so long, to so many different people.

As a young Christian woman, do you struggle with insecurities and feel bogged down by the pressures and expectations of society? Do you find it challenging to take care of yourself and be a faithful daughter of God? Emily Wilson Hussem used to feel the same way. In Go Bravely, the Catholic musician and speaker offers twenty bits of advice that will equip you to tackle your deepest concerns about relationships, self-esteem, and dating while strengthening your faith at the same time. In Go Bravely, Wilson Hussem offers readers warm and friendly encouragement as she shares her experiences with other young women as their youth minister as well as her own struggles with insecurity, relationships, loving and forgiving herself, and living her faith. You'll feel right at home as she challenges you to be a light in the world while simultaneously offering you easy-to-digest advice on your most pressing questions. Fresh off figuring out who she is as a daughter of God, how to cultivate healthy friendships, how to save sex for marriage, and how to develop a prayer life, Wilson Hussem gives you advice about what she learned in the midst of becoming a young woman. Aware of the information overload that young people face today, she shares simple wisdom for bravely living your faith.

By any measure, Seneca (?4-65AD) is one of the most important figures in both Roman literature and ancient philosophy. He was the most popular writer of his day, and his writings are voluminous and diverse, ranging from satire to philosophical "consolations" against grief, from metaphysical theory to moral and political discussions of virtue and anger. He was also the author of disturbing, violent tragedies, which present monstrous characters in a world gone wrong. But Seneca was also deeply engaged with the turbulent political events of his time. Exiled by the emperor Claudius for supposed involvement in a sex scandal, he was eventually brought back to Rome to become tutor and, later, speech-writer and advisor to Nero. He was an important eyewitness to one of the most interesting periods of Roman history, living under the rule of five of the most famous--and infamous--emperors (Augustus, Tiberius, Caligula, Claudius, and Nero), through the Great Fire of Rome (64AD), and at a time of expansion and consolidation of Roman imperial power throughout the Mediterranean world, as well as various foreign and internal conflicts. Suspected of plotting against Nero, Seneca was condemned and ultimately took his own life in what became one of the most iconic suicides in Western history.
The life and works of Seneca pose a number of fascinating challenges. How can we reconcile his bloody, passionate tragedies with his prose works advocating a life of Stoic tranquility? Furthermore, how are we to reconcile Seneca the Stoic philosopher, the man of principle, who advocated a life of calm and simplicity, with Seneca the man of the moment, who amassed a vast personal fortune in the service of an emperor seen by many, at the time and afterwards, as an insane tyrant? In this vivid biography, Emily Wilson presents Seneca as a man under enormous pressure, struggling for compromise in a world of absolutism. Seneca: A Roman Life thusoffers us, in fascinating ways, the portrait of a man with all the fissures and cracks formed by the clash of the ideal and the real: the gulf between political hopes and fears, and philosophical ideals; the gap between what we want to be, and what we are.